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1WordPress主题大前端DUX6。 0最新版免授权版完美无限制版2传奇复古手游【战神引擎】IP版一键端+安卓端+架设+外网教程3最新游戏(堕落玩偶)[日/英]4。 27G4云赏7。
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相关推荐被逼“二选一”? 拼多多品牌升级之路! AppStore付费榜游戏应用被惩罚! 从抖音、今日头条、UC头条等看内容型产品如何出海? 如何实现微信个人号快速涨粉? 移动互联网渠道推广方法论在病毒式营销传播前,你该注意什么? 有些东西,你学不来的一天被苹果商店打回20多个包,AppStore这两个月都干了啥! 微信公众号涨粉技巧及攻略! 2019年劳动节文案来啦!
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‘The Social Network’ The Old Constructing Heroes For The Young – The Awl

byMatthew? Wollin EachdayIpasstheglossypostersvauntingthatactor’sfacewhoIrecognizefromsomewhereasaprettifiedstand-infortheCEOofthatcompanythat’ssupposedtobechangingthewayIthink,hisvisageofslack-jawedmoronismalame-assstandinforprofundityasdecidedbysomegroup-testedmarketing-teamedtautologyofwhateveritisthatpassesforbrainstormingnowadays,coveredinwordsthatpurporttorepresentthenameshehasbeencalledbyhis(ormy)peers,tobeplayedbyearnest,attractiveactorswhoalsocallupfeelingsofvaguerecognition,actorsconversingintentlywitheachotherintopicalsettingsthatshowtheworldIinhabitinroughlythesamewaythat“JerseyShore”showstheactualJerseyshore,wordswhosevarietyandbrevity(Punk。 Genius。 Douchebag。 )claimtoindicatethestrengthofemotionalresponsegeneratedbythissimulacrumofsomebodyIhavenevermetandgive,atbest,adamnabout,Ifeelintenselyticked-offandspurredtoactionboth,toadegreethathitsandsurpassesthelevelofguilelesseagernesstoshellout$12。 50thatthefilmseekstofindinmeandsowhollymisses,intandemwithmysheerfed-up-nesswiththepresumptionthatthisiswhatImostdeeplycareabout,andhandinhandwiththesuspicionthatnotonlyaretheymissingthepoint,butthatthisshit? blows。 Yes,IamonFacebook。 Iampartofthe176%ontwentysomethingswhoexistonline,whohavefriendsandpostoneachother’swallsandhavestatusupdatesandstuff。 Nowlet’stalkaboutsomethingelse。 ThecomplacencythisfilmassumesthatIhavegratesonme,hard。 It’slikeasuggestionofwhatIwouldfindinteresting,onethatisallthemorefrustratingforthelazinesswithwhichitwasn’tdeveloped。 Thethoughtprocessbehindthemovie,theoneallthewayattheback-becauseIbearnoillwilltowardsAaronSorkinorDavidFincher(thoughguys,Ithoughtyouwereawesomebutyouhaveseriouslyletmedownhereman)orevenMarkZuckerberg,whoselegacyissofarupintheairthatmycomputer-trainedeyescan’tevenfindwhereintheskyitwasflung-ispainfully,insultinglyapparent:youngpeopleareonFacebook。 No,youngpeoplelikeFacebook;youngpeoplegotoseemoviesaboutthingstheylike;QED,TheSocialNetwork。 Thesheerandblindunderwhelmingnessofthisidea,itspowertocajolesomeoftheculturalpowerplayerswithgreatercachéandartisticcredisevidentineveryframeofthefilm’simmaculateandpreposteroustrailer。 Itisanalluringlysimplepitch,almostseductivelythoughtless。 Icannotblamethepeopleinvolved。 Theyhavecareerstosupport。 Itrytorefrainfromplacingblame,becauseIfeelguiltyaboutitafterwards。 Buthasthecreationofourownheroes(andvillainsandvillain-heroes)beentakenoutofourhandsentirely? Dowenolongerrisetotheoccasion? Istheprematurecanonizationofsomeonewhosenominalstatusasaprophetfortheyoungspringsalmostentirelyfromthepensandmindsofthinkerswhosemostimmediatetietothatgeneration-no,tome,becausethisismorethanabstractwhenyou’reoneofthosetwentysomethingswehearsomuchaboutandhappentohavesomethingtosayandthewherewithaltoknowthatevenifitdoesn’tlinktoFoursquare,sometimesitjustdoesn’tmatter-whentheirimmediatetieishereditary,isthatallthereis? Iwouldhazarda“no,”butemphatically:perhapsitisallthathasbeengiventous,butwearebetterandmorecomplexthanthat,andifweareonlyjustfindingtheadamanceanddefiancethatpushourtalentfromsanctionedaccomplishmentintotherealmofgettingshitdone,itisbecauseonlynowhavewefoundthethingthatwecanbeagainstwhollyandwitheveryounceofaudacity,withallduerespect:thisnotionofthefuture。 NotsomuchthatwewillFacebookandtweetandwhatnot(Iappreciateawellconstructedseriesof140charactersasmuchasthenextaspiringintellectual),butthatwecanbetoldwhatdefinesus。 Wereservethatright,evenifwehavenotyetuseditin? full。 Ifthisclaimseemsoverblown,well,theremaybesometruthinthat。 Thereisnoblametobeplaced,becauseitisjustamovie,afterall。 Noliveswillbeunmade,notectonicswillshift,justbecauseashinyculturalproductfromtheworld’sleadingproducercondescendstoitsaudience;thatisnothingnew。 Nothingistobegainedbyseekingafootholdforattackwhenthegeographydoesn’tpermitengagement。 Wecannotexpecttheprofessionalstobetherevolutionaries。 Pros(whichactorsandfilmmakersoftenare)aretoodedicatedtothethoroughlyexcellentcompletionofthetaskathandtopartakeintheextravagantsacrificeoftalentthatleadstonewthings。 HereperhapsispartofZuckerberg’sappealasadeeplyfictionalizedbiographicalsubject,particularlybyagroupofseasonedprofessionalss,onethatcontainssometruth:heseemsinsistentlyandalluringlyamateur。 Amateursexudeinfulltheinefficiencynecessaryforinvention,whileprostendtowardsinnovation’sefficiency。 Inthecontextofpeoplewhoknowexactlywheretheyareheaded,theambiguityandsuperfluousnessthatareapartofinventionseemdeliciouslyexotic。 BothSorkinandFincherarefilmmakerswhosepastworkhassomethingofatop-downaesthetic,consistingofsensationalpiecesofmassentertainmentinwhichtheirwillisalwayspresent,andoftensubtle,elegant,andthoroughlyconvincing。 Theydeallargelyinideasandmoodsoftheirownthatfindaplaceincreatedworlds,ratherthanfindingworldsripefortherecording。 That’shappenedhereagain,butbecausethistimeit’saboutthenowinsteadofthethen,newsinsteadofhistory,andtheusuallysubtlesuperimpositionmutatesintoamesmerizingdisconnectbetweenspeakerandsubject,infusingthestorywithanepic,overwrought,evenGrecianairthatfeelsfascinatinglyinappropriateforitssubject。 They’recallingdownfromthepeakstoallthosekidsatthebottomwhohaven’tdecidedifthemountain’sworththeclimb,totallymissingthepointthatthisheroicnarrativeisrenderedinsufficientbytheverythingtheypurporttounderstand。 It’sold-schoolmarketingmeetsnew-schoolpossibilities:toquoteJoeyLucasquotingaFrenchrevolutionary,theydidtheirbesttofigureoutwherewewereheadedsothattheycouldleadusthere。 Inclassicfashion,they’vemadetheguyahero,whenthetermdoesn’tringtrue? anymore。 Itisperhapsnottheresponsibilityoftheyoung,ortheirculture,toconsciouslymanifestthevaluesthatwillleadusforward;thattendstowardsthecanonicalinawaythatdefeatsthefundamentalinventiveimpulse。 Butitisclearenoughwhatweshouldbeagainst,wherewearecomingfromandwhatweshouldleavebehind,ifnotwhereweareheaded。 ImayseeTheSocialNetwork。 IamnotsureifIwantto,anddependingonhowmuchpocketchangeIhaveinOctoberImayfindmyselfinatheater,watchingafilmthatIamsurewillbebetterthanIwouldwish。 Butstill,thequestionIasknow,heedlessofthefilm’squalityandtospitethenotionthatitmatters:isthisthebestwe’ve? got? MatthewWollinlivesinNewYork。
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